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EDUCATION |
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Goldsmiths, University of London, MA in Interactive Media: Critical Theory and Practice (2001-2003) |
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International Center of Photography, New York, Certificate Programme: General Studies in Photography (1991-1992) |
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Det Fynske Kunstakademi, Denmark, Grundskolen [~ Base Module: Drawing, Printmaking, Sculpture] (1987-1989) |
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GRANTS AND AWARDS |
2020 |
a-n Bursary: Time, Space, Money, The Artists Information Company, UK |
2019 |
The Pollock-Krasner Foundation, New York |
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Arts Council England Project Award |
2017 |
Jerwood Drawing Prize (Shortlist), UK |
2011 |
Arts Council England Project Award |
2008 |
Knud Højgaards Fond, Denmark |
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Passage: International Competition for Architectural Drawings (Shortlist), Henning Larsen Foundation, Denmark |
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The David Gluck Memorial Bursary for Drawing (Shortlist), UK |
2007 |
List of Significant Achievements Award, Academic Film Center, Belgrade |
2006 |
Forum 2006|2007, Artquest, University of the Arts, London |
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The Prints and The Paper Exhibition Award, San Diego Arts Institute, USA |
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RESIDENCIES |
2020 |
Statens Værksteder for Kunst/ Danish Art Workshops, Copenhagen |
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Wellcome Collection, The Wellcome Trust, London |
2018 |
Saari Residence, Mynämäki, Kone Foundation, Finland |
2012|3 |
Camberwell College of Arts, London |
2011 |
re:place, Film and Video Residency at Level Centre, Rowsley, UK |
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Digital Rules & Regs, curated by videoclub, Brighton |
2010 |
Away Day: The Writer's House, POST Projects, London |
2008 |
Academic Film Center, Belgrade |
2006|7 |
The School of Art, Architecture and Design, London Metropolitan University |
2006 |
Doncaster Museum and Art Gallery + Cannon Hall Museum, Barnsley (Funded by Arts Council England) |
1997 |
The Mercedes Benz Residency, Stantonbury Expressive Arts Faculty, Milton Keynes |
1996 |
Bikubenfonden, Paris, France |
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SOLO EXHIBITIONS/ LIVE EVENTS |
2020 |
Gesture/ Pause/ Proximity, Wellcome Collection Reading Room, London (with Orlagh Woods/ LIVE) |
2017 |
Unauthorized, SFMOMA Solo Show, San Francisco Museum of Modern Art, USA (Catalogue) |
2016 |
Towards the Mean, The Barbican, London |
2015 |
Words/ Voids, Sara Lane Studios, London (LIVE) |
2011 |
100 things not worth repeating, from the page to the stage, X Marks the Bökship, London (LIVE) |
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For the Record — a written conversation, Away Day: The Writer’s House, Post Projects, London (LIVE) |
2010 |
For the Record — a written conversation, Art Writing Field Station, Five Years, London (LIVE) |
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For the Record — a written conversation, The Pigeon Wing, London (LIVE)
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The New Kew Illustrated Archive of Trees, Royal Botanical Gardens, Kew, UK |
2009 |
For the Record — a written conversation, Interrupted Conversations: James Taylor Gallery, London (LIVE) |
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The Edmonton Mapping Project, Arts & Events, Enfield, London |
2008 |
Writing Live, Unit 9, Sara Lane Studios, London |
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One| Two, Tate Modern and The British Film Institute, London |
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Everyone goes a bit crazy at times, Galerie Art Claims Impulse, Berlin |
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Drawn Into Site, commissioned by Campaign for Drawing, The British Library, London (LIVE) |
2004 |
Space Open, Sara Lane Studios, London |
1996 |
Marianne Holm Hansen, Museet for Fotokunst, Odense, Denmark |
1995 |
Reframing the Past… The University Of Derby, UK |
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Objects of Reframing the Past… Optimum Gallery, Derby, UK |
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SELECTED GROUP EXHIBITIONS |
2020 |
Seriality – Multiplicity – Repetition,
Aarhus School of Architecture, Denmark |
2019 |
Draft, Knot, Wake, UnderExposed, Galway, Ireland |
2018 |
Misreadings, APT Gallery, London
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Jerwood Drawing Prize, East Gallery, Norwich – UK Touring: The Edge, Bath; Sidney Cooper Gallery, Canterbury; Vane Gallery, Newcastle; Drawing Projects, Trowbridge (Catalogue) |
2017 |
Unauthorized, SFMOMA Solo Show, San Francisco Museum of Modern Art, USA |
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Künstlerbücher für Alles/ Artists' Books for Everything, Weserburg | Museum für Moderne Kunst, Bremen, Germany |
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Lost/ Found Biennial, Corner Projects, Chicago |
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Jerwood Drawing Prize, Jerwood Space, London – Touring: East Gallery, Norwich, UK (Catalogue) |
2015 |
The Future is Here Again: Visual Language, AC Institute, New York |
2014 |
This Page Intentionally Left Blank, Akbank Art Center, Istanbul (Catalogue) |
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Topography Disarranged: Landscape, Dislocation and Place, The Queen of Hungary, Aylsham, Norfolk |
2013 |
Liminal, Camberwell Space, London |
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The Library of Lost Books, The Library of Birmingham (Catalogue|Publication) |
2012 |
Media [Circus], La Mama, New York |
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Video in Progress — Fields of the Performative, Koroška Gallery, Slovenj Gradec, Slovenia (Touring) |
2011 |
again: on repetition — an informal symposium on repetition in practice, [ space ], London |
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100 things not worth repeating, X Marks the Bökship, London (Book Launch Performance Reading) |
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Views:Visions, Donumenta 2011, Städtische Galerie im Leerer Beutel, Regensburg, DE |
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Wirksworth Festival, Derbyshire, UK |
2010 |
Instructions for Initial Conditions, Drift Station and Parallax Space, Lincoln, Nebraska (Catalogue) |
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The Department of Micro Poetics, AC Institute, New York |
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WRITING/EXHIBITION/PUBLICATION, The Pigeon Wing, London |
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Video in Progress — Fields of the Performative, Vortex, Skopje, Macedonia (Touring) |
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One Day Wonder, Valentines Mansion, London |
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Screening 1, The Public, West Bromwich, UK (Catalogue) |
2009 |
Europa Neurotisch #2, Petersburg Project Space, Amsterdam |
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Writing Exhibitions, Stanley Picker Gallery — 7.9 Cubic Metres, Kingston University London |
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See the Voice: Visible Verse, Pacific Cinèmathëque, Vancouver (Screening) |
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Video in Progress - Fields of the Performative, Kino Šiška, Ljubljana, Slovenia (Touring) |
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Common Ground, Norwich Arts Centre (Screening) |
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Darklight X: New World Order, The Joinery, Dublin |
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Recycled Frequencies, Wolstenholme Projects, Liverpool |
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The 5th Berlin International Directors Lounge, Scala e.V., Berlin |
2008 |
Videoart Session, Galerie Art Claims Impulse, Berlin |
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Video Lounge, Alternative Film|Video - Memory, Academic Film Center, Belgrade (Catalogue) |
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The David Gluck Memorial Bursary for Drawing, Mall Galleries, London |
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Passage, Competition for Architectural Drawing, Hasdorffs Hus, Copenhagen (Catalogue) |
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Nordic Drawings, Skellefteå Konsthall, Sweden - Touring: Rackstadmuséet, Sweden |
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On the Move, Everson Museum of Art, Syracuse, New York (Screening) |
2007 |
Web Biennial — Festival of Contemporary Networked Art, Istanbul Contemporary Art Museum, Turkey |
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Alternative Film|Video — Associations, Academic Film Center, Belgrade (Catalogue) |
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Chisenhale Biennale, London |
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RETURNS, London Metropolitan University, London (Catalogue) |
2006 |
Mark, Dartington College of Arts, Totnes (Catalogue) |
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Alternative Guides|Memory Maps — Residency Intervention, Cannon Hall Museum, Barnsley |
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Most Desirable Object Survey — Residency Exhibition, Doncaster Museum and Art Gallery |
2005 |
I-Fjords: Netart from Northern Europe, Javamuseum, Cologne (Touring) |
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I-Fjords: Netart from Northern Europe, @ Electronic Art Meeting, Ecotera, Pescara, Italy (Touring) |
2004 |
404 — International Festival of Electronic Art, Castagnino Art Museum, Rosario, Argentina |
2003 |
Space Open, Space, London |
2002 |
Tidal Pulse — an exhibition on the theme of slowness, Museet for Fotokunst, Odense, Denmark |
2000 |
Selected from Museet for Fotokunst's Permanent Collection, Denmark |
1998 |
Revealing and Concealing — Enclosure|Entrapment, Cable Street Gallery, London |
1997 |
Revealing and Concealing — Defining & Undermining Identity and its Space, Milton Keynes Gallery, UK |
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Flexible 2: Pan-European Art, The Whitworth Art Gallery, Manchester (Touring|Catalogue) |
1996 |
Flexible 2: Pan-European Art, Gallery Awangarda, Wroclaw, Poland (Touring|Catalogue) |
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Flexible 2: Pan-European Art, Nederlands Textiel Museum, Tilburg, Holland (Touring|Catalogue) |
1995 |
Women on the Streets, Camerawork, London |
1994 |
Works on Paper, The Midge Karr Arts Institute, New York |
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Forårsudstillingen [The Spring Exhibition], Kunsthal Charlottenborg, Copenhagen, Denmark |
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National Showcase Exhibition, Alternative Museum, New York |
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Beyond Body: Animate - Inanimate, 494 Gallery, New York |
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F.U.C.K|M.U.C.K [Female|Male Understanding Carnal Knowledge], Michigan Gallery, Detroit, USA |
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The Prints and The Paper, San Diego Arts Institute, USA |
1993 |
On Shaky Ground, 494 Gallery, New York |
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Forårsudstillingen [The Spring Exhibition], Kunsthal Charlottenborg, Copenhagen, Denmark |
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BIBLIOGRAPHY |
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Books/ Publications |
2020 |
VOID As (A) – A Proposition. Artist's Book. Marianne Holm Hansen, London, 2020 (More) |
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Typing (Not Writing) – LINES. Monograph. Edited and produced by Petra Schulze-Wollgast,
Published by Plaugolt SatzWechsler, Germany and Timglaset Editions, Sweden (More) |
2011 |
100 things not worth repeating: on repetition. Artist's Book. LemonMelon, London, 2011. Publication of results from survey project
contextualised by invited essays and artworks. Funded by Arts Council England (More) |
2009 |
An Alternative Guide to Edmonton Green. Map Publication, Self-Published, commissioned by LB of Enfield, London |
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Work in Publications |
2022 |
Typing (not writing) in 'ToCall Magazine', No.16/Online, PSW, Rostock, Germany |
2021 |
I am Here; See No Ideas, Hear No Ideas (Marianne Holm Hansen & Dani Spinosa), in '14 Ways of Being Kinder to the Earth: a Moment's Notice', G. Betts and D. Beaulieu (eds), No Press, Banff, Canada |
2019 |
Typing (not writing) in 'ToCall Magazine', No.5, PSW, Rostock, Germany |
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Marianne Holm Hansen, in 'WordPower: Language as Medium', Sarah Peace (ed), Library X, London |
2015 |
For the Record…[what?] in Cin Ayse, Istanbul (Issue 13, Spring 2015) |
2014 |
Typing (not writing) in 'Typewriter Art: A Modern Anthology', Barrie Tullett (ed), Laurence King Publishing, London |
2010 |
For the Record — Script for a Written Conversation in 'Instructions for Initial Conditions', Exhibition Publication,
Essay by Marissa Vigneault. Drift Station and Parallax Space, Lincoln, Nebraska |
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For the Record in 'WRITING EXHIBITIONS: An Assembling', David Berridge (ed), VerySmallKitchen, London |
2008 |
Recording the Ride in 'SCIENCE', Ralph Dorey, Lindsey Officer (eds), The Arts Pneumonia Journal, London |
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Circular Walks in 'International Drawing Annual 2007', Jason Franz (ed), Manifest Press, Cincinnati, Ohio |
1994 |
Marianne Holm Hansen. Artist's pages in 'Hidden Children', Shari Diamond, Hana Iverson (eds), Journal, New York |
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Interviews/ Reviews/ Catalogues |
2022 |
Eva Heisler: ''Because English offers no feminine form of pelican', A Portfolio of International Writing', Tupelo Quaterly (TQ28, Vol VI), Tupelo Press, North Adams, MA, USA |
2021 |
Dani Spinosa: 'Intersponse 4: Marianne Holm Hansen', Periodicities: Journal of Poetry and Poetics, Ottawa, Canada |
2018 |
Diego Espíritu: ‘Máquinas post-concretas: Un ensayo sobre type-writer art’, Centro de Cultura Digital, Colonia Juárez, Mexico |
2017 |
Enar de Dios Rodríguez; Lasse Scherffig; Ana María Montenegro Jaramillo: Unauthorized SFMOMA Show, San Francisco, CA |
2016 |
Russell Martin: 'Marianne Holm Hansen: The Work of Art', Artquest, London (Interview) |
2015 |
Nico Vassilakis:’Five Pieces by Marianne Holm Hansen’, VisPo, Coldfront Magazine, New York |
2014 |
Franz Thalmair: 'Possible Content for 18 Pages|This Page Intentionally Left Blank', Revolver Publishing, Berlin |
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Franz Thalmair/ Akbank Sanat, Istanbul: 'This Page Intentionally Left Blank' (Catalogue|Artist's Pages) |
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Neil Elcome: 'Close Up: Small Wide Views — Marianne Holm Hansen', Shutter Hub, UK |
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Judith Stewart: 'Some Thoughts On Landscape', Queen of Hungary Project Space, Aylsham |
2013 |
Jessica Glaser, Susan Kruse (eds): 'Bringing Back the Book', The Library of Lost Books, Birmingham |
2012 |
VerySmallKitchen, London: 'Type Tying Typings Typist Tybe: Marianne Holm Hansen talks Artist and Typewriter' |
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~ 'Sob Basic Wirtten with a Wooden Laptop: Typewriter as Art Practice' |
2010 |
David Berridge: 'Report: Art Writing Field Station: The Lexicon Returns', VerySmallKitchen, London |
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Caitlin Griffiths: 'Screening 1', The Public, West Bromwich, UK (Catalogue) |
2009 |
Metka Zupanić, Vesna Bukovec: 'Video in Progress – Fields of the Performative', KOLEKTIVA, Slovenia |
2008 |
The Henning Larsen Foundation, DK: 'Passage: International Competition for Architectural Drawings' (Catalogue) |
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Svend Smedberg: 'Tecknandets undflyende essens', Arvika Nyheter, Sweden |
2007 |
DKSG Press, Belgrade: 'Associations — Alternative Film|Video 2007' (Catalogue) |
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London Metropolitan University: 'RETURNS' (Catalogue) |
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Juliette Brown: 'Chisenhale Biennale', a-n Magazine, UK, 11/2007 |
2006 |
David Gilbert (ed), et al: 'MLA Residencies', Creative Partnerships & Arts Council England |
2000 |
Finn Thrane: 'Tidal Pulse — an exhibition on the theme of slowness', KATALOG, Denmark, 12/2000 |
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Finn Thrane: 'Odense Foto Triennale, Tema: Langsomhed [Slowness], Denmark (Catalogue) |
1997 |
William Packer: 'Revealing and Concealing', MK Gallery, Milton Keynes (Catalogue) |
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Francesca Alden: 'Revealing and Concealing', MK Gallery, Milton Keynes (Catalogue) |
1996 |
Beatrijs Sterk: 'Flexible 2, Pan-European Art', Textielforum e.V. Arbeitsgemeinschaft f. Textil, 4/1996 |
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Weekkrant Suriname 'Verrassende beeldende textielkunst' |
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Nederlands Textielmuseum, Holland: 'Flexible 2, Pan-European Art' (Catalogue|Artist's Pages) |
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Anna van der Burgt: 'Gietrubber en specerij zingen lof van textiel', Brabrant Cultureell, Holland |
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Mogens Damgaard: 'Lidenskabelig Dokumentation', Fyens Stiftstidende, Denmark |
1995 |
Gordon Parker: 'Displacements', Photocopy Magazine, Derby |
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Montage Gallery, Derby:
'Displacements: Aspects of Change in the Late Twentieth Century’ (Catalogue) |
1993 |
Jan Steving: 'Marianne Holm Hansen: New York', Foto, Film & Video, Denmark |
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CURATING |
2021 |
Gesture/ Pause/ Proximity, Online
Conversations between invited groups of artists, writers, performers, psychotherapists and architects to discuss and collectively explore notions of Gesture/ Pause/ Proximity in general, Pause and Silence in particular, from within diverse practices and dicipline. Co-curated with Orlagh Woods. |
2020 |
Gesture/ Pause/ Proximity, Wellcome Collection, London
A series of public workshops to share and develop experiences and ideas relating to non-verbal communication. Co-curated with Orlagh Woods. |
2016 |
Towards the Mean: Identity in Britain Today, The Barbican Centre, London
A discussion to expand on questions raised by the installation 'Towards the Mean' (The Barbican, 2016). Co-curated with Orlagh Woods, with presentations by Claudia Aradau (KCL Reader in International Politics), Kannan Navaratnem (Psychoanalyst) and Rebecca Omonira-Oyekanmi (Writer/ Reporter) |
2011 |
again: on repetition — an informal symposium on repetition in practice, [ space ], London
A public event to extend the publication 100 things not worth repeating: on repetition — with David Berridge, John Hall, Rupert Hartley, Deborah Harty, Eirini Kartsaki, Alana Jelinek and Jill Townsley + knitting performance by Dagmar Radmacher and screening of works by Hyun Jin Cho and Marianne Holm Hansen. PDF of Programme |
2011 |
100 things not worth repeating, X Marks the Bökship, London
Book Launch Performance Reading — with David Berridge, El Vonne Brown, Jean Campbell, Rupert Hartley, Marit Münzberg, Marianne Holm Hansen (Karen Di Franco and Hyun Jin Cho) |
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COLLECTIONS |
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Bauhaus-Universität Weimar Artist's Book Collection, Germany |
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Bibliothèque Kandinsky, Centre Pompidou, France |
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Bikubenfonden Denmark |
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The British Library, Artist's Book Collection, London |
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Center for Artists’ Publications, Weserburg, Bremen, Germany |
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Colección Astas Romas, Argentina |
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De Kunstenbibliotheek, Ghent, Belgium |
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École Nationale Supérieure de la Photographie d'Arles, France
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Franklin Furnace, New York |
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Museet for Fotokunst, Denmark |
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Tate, Library and Archive Collections, UK |
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— Private Collections Brazil, Europe, USA |
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TEACHING |
2020|.. |
StudelMediaLive, New York: Photography Lecturer, Online Courses |
2014|.. |
The Royal Institute of British Architects, London: Artist-led Workshops – Drawing/ Photography/ Place |
2011|.. |
Tate Modern/ Tate Britain, London: Artist-led Workshops and Talks |
2007|19 |
The British Library, London, Learning, Public and Exhibition Programmes: Artist-led Research, Workshosp and Study-days |
2014|15 |
Sir John Soane's Museum, London, Public Programme: Lines of Enquiry – Workshop Series |
2012|13 |
Camberwell College of Arts, London: Guest Lecturer/ Tutor, BA/ MA Fine Art and Photography |
2008|12 |
Goldsmiths, University of London: Visiting Lecturer/ Tutor, MA in Artist Teachers and Contemporary Practices |
2010|11 |
Tate Britain, London: Lead Artist, Teachers in Partnership (3-term Course on the Gallery as Site for Learning and Research) |
2007|10 |
Tate Britain, London, Learning and Public Programmes: Artists-led Workshops, Study-days and Research |
2003|08 |
Tate Modern, London, Education and Interpretation Core Team: Artist-led Workshops, Research and Development |
2006|07 |
The School of Art, London Metropolitan University: Guest Lecturer/ Tutor, BA Photography/ MA Fine Art |
2000|03 |
Holland Park School, 6th Form College, London: Media Designer/ Tutor, Video, Graphic Art and Design |
1998|00 |
Insight Arts Trust, London: Digital Photography Tutor (Workshops for Young Offenders and Adults on Probation) |
1998|00 |
School of Black and White Photography, London: Photography Lecturer, Theory and Practice |
1997|98 |
Monochrome Photography, London: Photography Worker, Outreach and Community Programmes |
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WORKSHOPS/ PARTICIPATORY PROJECTS/ TALKS |
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Arnolfini, Bristol, UK |
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Bloomberg Space, London |
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Brighton Photo Biennale, UK |
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The British Film Institute, London |
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Charleston, an Artist’s House and Garden, Lewes, UK |
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Goldsmiths, University of London |
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Hayward Gallery, London |
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The Historical Association, UK |
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The Hunterian Museum, Royal College of Surgeons, London |
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King's College London |
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La Mama, New York |
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MK Gallery, Milton Keynes, UK |
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National Maritime Museum, London |
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National Portrait Gallery, London |
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Royal Geographical Society, London |
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Serpentine Gallery, London |
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Studio Voltaire, London |
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Tate Britain, London |
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Tate Modern, London |
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Wellcome Collection, London |
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Whitechapel Gallery, London |
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X Marks the Bökship, London |
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