| |
EDUCATION |
| 2003 |
Goldsmiths, University of London, MA in Interactive Media: Critical Theory and Practice |
| 1992 |
International Center of Photography, New York, Certificate in Photography: General Studies |
| 1989 |
Det Fynske Kunstakademi, Denmark, Grundskolen [~ Foundation]: Drawing, Printmaking, Sculpture |
| |
|
GRANTS AND AWARDS |
| 2020 |
a-n Bursary, The Artists Information Company, UK |
| 2019 |
The Pollock-Krasner Foundation, New York |
| |
Arts Council England, Project Award |
| 2017 |
Jerwood Drawing Prize (Shortlist), UK |
| 2011 |
Arts Council England, Individual Artist's Award |
| 2008 |
Knud Højgaards Fond, Denmark |
| |
Passage: International Competition for Architectural Drawings (Shortlist), Henning Larsen Foundation, Denmark |
| |
The David Gluck Memorial Bursary for Drawing (Shortlist), UK |
| 2007 |
List of Significant Achievements, Award, Academic Film Center, Belgrade |
| 2006 |
Lead Artist, Forum 2006|2007, Artquest, University of the Arts, London |
| |
The Prints and The Paper, Exhibition Award, San Diego Arts Institute, USA |
| |
| |
RESIDENCIES |
| 2020 |
Statens Værksteder for Kunst/ Danish Art Workshops, Copenhagen |
| |
Wellcome Collection Reading Room, The Wellcome Trust, London |
| 2018 |
Saari Residence, Mynämäki, Kone Foundation, Finland |
| 2012|3 |
Camberwell College of Arts, London |
| 2011 |
re:place, Film and Video Residency at Level Centre, Rowsley, UK |
| |
Digital Rules & Regs, curated by videoclub, Brighton |
| 2010 |
Away Day: The Writer's House, POST Projects, London |
| 2008 |
Academic Film Center, Belgrade |
| 2006|7 |
The Sir John Cass School of Art, Architecture and Design, London Metropolitan University |
| 2006 |
Doncaster Museum and Art Gallery + Cannon Hall Museum, Barnsley (Funded by Arts Council England) |
| 1997 |
The Mercedes Benz Residency, Stantonbury Expressive Arts Faculty, Milton Keynes |
| 1996 |
Bikubenfonden, Paris, France |
| |
|
SOLO EXHIBITIONS/ PROJECTS AND LIVE EVENTS |
| 2020 |
Gesture/ Pause/ Proximity, Wellcome Collection Reading Room, London (with Orlagh Woods/ LIVE) |
| 2017 |
Unauthorized, SFMOMA Solo Show, San Francisco Museum of Modern Art, USA (Catalogue) |
| 2016 |
Towards the Mean, The Barbican, London |
| 2015 |
Words/ Voids, Sara Lane Studios, London (LIVE) |
| 2012 |
Mendelssohn’s Mendelssohns’ Lieder Ohne Worte, The Library of Lost Books, Birmingham (Bookworks Commission) |
| 2011 |
100 things not worth repeating, from the page to the stage, X Marks the Bökship, London (LIVE) |
| |
For the Record — a written conversation, Away Day: The Writer’s House, Post Projects, London (LIVE) |
| 2010 |
For the Record — a written conversation, Art Writing Field Station, Five Years, London (LIVE) |
| |
For the Record — a written conversation, The Pigeon Wing, London (LIVE)
|
| |
The New Kew Illustrated Archive of Trees, Royal Botanical Gardens, Kew, UK |
| 2009 |
For the Record — a written conversation, Interrupted Conversations: James Taylor Gallery, London (LIVE) |
| |
The Edmonton Mapping Project, Arts & Events, Enfield, London |
| 2008 |
Writing Live, Unit 9, Sara Lane Studios, London |
| |
One| Two, Tate Modern and The British Film Institute, London |
| |
Everyone goes a bit crazy at times, Galerie Art Claims Impulse, Berlin |
| |
Drawn Into Site, commissioned by Campaign for Drawing, The British Library, London (LIVE) |
| 2004 |
Space Open, Sara Lane Studios, London |
| 1996 |
Marianne Holm Hansen, Museet for Fotokunst, Odense, Denmark |
| 1995 |
Reframing the Past… The University Of Derby, UK |
| |
Objects of Reframing the Past… Optimum Gallery, Derby, UK |
| |
|
|
SELECTED GROUP EXHIBITIONS |
| 2020 |
Seriality – Multiplicity – Repetition,
Aarhus School of Architecture, Denmark |
| 2019 |
Draft, Knot, Wake, UnderExposed, Galway, Ireland |
| 2018 |
Misreadings, APT Gallery, London
|
| |
Jerwood Drawing Prize, East Gallery, Norwich – UK Touring: The Edge, Bath; Sidney Cooper Gallery, Canterbury; Vane Gallery, Newcastle; Drawing Projects, Trowbridge (Catalogue) |
| 2017 |
Unauthorized, SFMOMA Solo Show, San Francisco Museum of Modern Art, USA |
| |
Künstlerbücher für Alles/ Artists' Books for Everything, Weserburg | Museum für Moderne Kunst, Bremen, Germany |
| |
Lost/ Found Biennial, Corner Projects, Chicago |
| |
Jerwood Drawing Prize, Jerwood Space, London – Touring: East Gallery, Norwich, UK (Catalogue) |
| 2015 |
The Future is Here Again: Visual Language, AC Institute, New York |
| 2014 |
This Page Intentionally Left Blank, Akbank Art Center, Istanbul (Catalogue) |
| |
Topography Disarranged: Landscape, Dislocation and Place, The Queen of Hungary, Aylsham, Norfolk |
| 2013 |
Liminal, Camberwell Space, London |
| |
The Library of Lost Books, The Library of Birmingham (Catalogue|Publication) |
| 2012 |
Media [Circus], La Mama, New York |
| |
Video in Progress — Fields of the Performative, Koroška Gallery, Slovenj Gradec, Slovenia (Touring) |
| 2011 |
again: on repetition — an informal symposium on repetition in practice, [ space ], London |
| |
100 things not worth repeating, X Marks the Bökship, London (Book Launch Performance Reading) |
| |
Views:Visions, Donumenta 2011, Städtische Galerie im Leerer Beutel, Regensburg, DE |
| |
Wirksworth Festival, Derbyshire, UK |
| 2010 |
Instructions for Initial Conditions, Drift Station and Parallax Space, Lincoln, Nebraska (Catalogue) |
| |
The Department of Micro Poetics, AC Institute, New York |
| |
WRITING/EXHIBITION/PUBLICATION, The Pigeon Wing, London |
| |
Video in Progress — Fields of the Performative, Vortex, Skopje, Macedonia (Touring) |
| |
One Day Wonder, Valentines Mansion, London |
| |
Screening 1, The Public, West Bromwich, UK (Catalogue) |
| 2009 |
Europa Neurotisch #2, Petersburg Project Space, Amsterdam |
| |
Writing Exhibitions, Stanley Picker Gallery — 7.9 Cubic Metres, Kingston University London |
| |
See the Voice: Visible Verse, Pacific Cinèmathëque, Vancouver (Screening) |
| |
Video in Progress - Fields of the Performative, Kino Šiška, Ljubljana, Slovenia (Touring) |
| |
Common Ground, Norwich Arts Centre (Screening) |
| |
Darklight X: New World Order, The Joinery, Dublin |
| |
Recycled Frequencies, Wolstenholme Projects, Liverpool |
| |
The 5th Berlin International Directors Lounge, Scala e.V., Berlin |
| 2008 |
Videoart Session, Galerie Art Claims Impulse, Berlin |
| |
Video Lounge, Alternative Film|Video - Memory, Academic Film Center, Belgrade (Catalogue) |
| |
The David Gluck Memorial Bursary for Drawing, Mall Galleries, London |
| |
Passage, Competition for Architectural Drawing, Hasdorffs Hus, Copenhagen (Catalogue) |
| |
Nordic Drawings, Skellefteå Konsthall, Sweden - Touring: Rackstadmuséet, Sweden |
| |
On the Move, Everson Museum of Art, Syracuse, New York (Screening) |
| 2007 |
Web Biennial — Festival of Contemporary Networked Art, Istanbul Contemporary Art Museum, Turkey |
| |
Alternative Film|Video — Associations, Academic Film Center, Belgrade (Catalogue) |
| |
Chisenhale Biennale, London |
| |
RETURNS, London Metropolitan University, London (Catalogue) |
| 2006 |
Mark, Dartington College of Arts, Totnes (Catalogue) |
| |
Alternative Guides|Memory Maps — Residency Intervention, Cannon Hall Museum, Barnsley |
| |
Most Desirable Object Survey — Residency Exhibition, Doncaster Museum and Art Gallery |
| 2005 |
I-Fjords: Netart from Northern Europe, Javamuseum, Cologne (Touring) |
| |
I-Fjords: Netart from Northern Europe, @ Electronic Art Meeting, Ecotera, Pescara, Italy (Touring) |
| 2004 |
404 — International Festival of Electronic Art, Castagnino Art Museum, Rosario, Argentina |
| 2003 |
Space Open, Space, London |
| 2002 |
Tidal Pulse — an exhibition on the theme of slowness, Museet for Fotokunst, Odense, Denmark |
| 2000 |
Selected from Museet for Fotokunst's Permanent Collection, Denmark |
| 1998 |
Revealing and Concealing — Enclosure|Entrapment, Cable Street Gallery, London |
| 1997 |
Revealing and Concealing — Defining & Undermining Identity and its Space, Milton Keynes Gallery, UK |
| |
Flexible 2: Pan-European Art, The Whitworth Art Gallery, Manchester (Touring|Catalogue) |
| 1996 |
Flexible 2: Pan-European Art, Gallery Awangarda, Wroclaw, Poland (Touring|Catalogue) |
| |
Flexible 2: Pan-European Art, Nederlands Textiel Museum, Tilburg, Holland (Touring|Catalogue) |
| 1995 |
Women on the Streets, Camerawork, London |
| 1994 |
Works on Paper, The Midge Karr Arts Institute, New York |
| |
Forårsudstillingen [The Spring Exhibition], Kunsthal Charlottenborg, Copenhagen, Denmark |
| |
National Showcase Exhibition, Alternative Museum, New York |
| |
Beyond Body: Animate - Inanimate, 494 Gallery, New York |
| |
F.U.C.K|M.U.C.K [Female|Male Understanding Carnal Knowledge], Michigan Gallery, Detroit, USA |
| |
The Prints and The Paper, San Diego Arts Institute, USA |
| 1993 |
On Shaky Ground, 494 Gallery, New York |
| |
Forårsudstillingen [The Spring Exhibition], Kunsthal Charlottenborg, Copenhagen, Denmark |
| |
|
BIBLIOGRAPHY |
| |
Books/ Publications |
| 2020 |
VOID As (A) – A Proposition. Artist's Book. Marianne Holm Hansen, London, 2020 (More) |
| |
Typing (Not Writing) – LINES. Monograph. Edited and produced by Petra Schulze-Wollgast,
Published by Plaugolt SatzWechsler, Germany and Timglaset Editions, Sweden (More) |
| 2011 |
100 things not worth repeating: on repetition. Artist's Book. LemonMelon, London, 2011. Publication of results from survey project
contextualised by invited essays and artworks. Funded by Arts Council England (More) |
| 2009 |
An Alternative Guide to Edmonton Green. Map Publication, Self-Published, commissioned by LB of Enfield, London |
| 2006 |
Alternative Guides|Memory Maps. Residency Publication, Cannon Hall Museum, Barnsley.
Self-Published, funded by Arts Council England |
| |
Most Desirable Object Survey. Residency Publication, Doncaster Museum and Art Gallery, Doncaster.
Self-Published, funded by Arts Council England |
| |
Work in Publications |
| 2019 |
Typing (not writing) in 'ToCall Magazine', No.5, PSW, Rostock, Germany |
| |
Marianne Holm Hansen, in 'WordPower: Language as Medium', Sarah Peace (ed), Library X, London |
| 2015 |
For the Record…[what?] in Cin Ayse, Istanbul (Issue 13, Spring 2015) |
| 2014 |
Typing (not writing) in 'Typewriter Art: A Modern Anthology', Barrie Tullett (ed), Laurence King Publishing, London |
| 2010 |
For the Record — Script for a Written Conversation in 'Instructions for Initial Conditions', Exhibition Publication,
Essay by Marissa Vigneault. Drift Station and Parallax Space, Lincoln, Nebraska |
| |
For the Record in 'WRITING EXHIBITIONS: An Assembling', David Berridge (ed), VerySmallKitchen, London |
| 2008 |
Recording the Ride in 'SCIENCE', Ralph Dorey, Lindsey Officer (eds), The Arts Pneumonia Journal, London |
| |
Circular Walks in 'International Drawing Annual 2007', Jason Franz (ed), Manifest Press, Cincinnati, Ohio |
| 1994 |
Marianne Holm Hansen. Artist's pages in 'Hidden Children', Shari Diamond, Hana Iverson (eds), Journal, New York |
| |
Interviews/ Reviews/ Catalogues |
| 2021 |
Dani Spinosa: 'Intersponse 4: Marianne Holm Hansen', Periodicities: Journal of poetry and poetics, Ottawa, Canada |
| 2018 |
Diego Espíritu: ‘Máquinas post-concretas: Un ensayo sobre type-writer art’, Centro de Cultura Digital, Colonia Juárez, Mexico |
| 2016 |
Russell Martin: 'Marianne Holm Hansen: The Work of Art', Artquest, London (Interview) |
| 2015 |
Nico Vassilakis:’Five Pieces by Marianne Holm Hansen’, VisPo, Coldfront Magazine, New York |
| 2014 |
Franz Thalmair: 'Possible Content for 18 Pages|This Page Intentionally Left Blank', Revolver Publishing, Berlin |
| |
Franz Thalmair/ Akbank Sanat, Istanbul: 'This Page Intentionally Left Blank' (Catalogue|Artist's Pages) |
| |
Neil Elcome: 'Close Up: Small Wide Views — Marianne Holm Hansen', Shutter Hub, UK |
| |
Judith Stewart: 'Some Thoughts On Landscape', Queen of Hungary Project Space, Aylsham |
| 2013 |
Jessica Glaser, Susan Kruse (eds): 'Bringing Back the Book', The Library of Lost Books, Birmingham |
| 2012 |
VerySmallKitchen, London: 'Type Tying Typings Typist Tybe: Marianne Holm Hansen talks Artist and Typewriter' |
| |
~ 'Sob Basic Wirtten with a Wooden Laptop: Typewriter as Art Practice' |
| 2010 |
David Berridge: 'Report: Art Writing Field Station: The Lexicon Returns', VerySmallKitchen, London |
| |
Caitlin Griffiths: 'Screening 1', The Public, West Bromwich, UK (Catalogue) |
| 2009 |
Metka Zupanić, Vesna Bukovec: 'Video in Progress – Fields of the Performative', KOLEKTIVA, Slovenia |
| 2008 |
The Henning Larsen Foundation, DK: 'Passage: International Competition for Architectural Drawings' (Catalogue) |
| |
Svend Smedberg: 'Tecknandets undflyende essens', Arvika Nyheter, Sweden |
| 2007 |
DKSG Press, Belgrade: 'Associations — Alternative Film|Video 2007' (Catalogue) |
| |
London Metropolitan University: 'RETURNS' (Catalogue) |
| |
Juliette Brown: 'Chisenhale Biennale', a-n Magazine, UK, 11/2007 |
| 2006 |
David Gilbert (ed), et al: 'MLA Residencies', Creative Partnerships & Arts Council England |
| 2000 |
Finn Thrane: 'Tidal Pulse — an exhibition on the theme of slowness', KATALOG, Denmark, 12/2000 |
| |
Finn Thrane: 'Odense Foto Triennale, Tema: Langsomhed [Slowness], Denmark (Catalogue) |
| 1997 |
William Packer: 'Revealing and Concealing', MK Gallery, Milton Keynes (Catalogue) |
| |
Francesca Alden: 'Revealing and Concealing', MK Gallery, Milton Keynes (Catalogue) |
| 1996 |
Beatrijs Sterk: 'Flexible 2, Pan-European Art', Textielforum e.V. Arbeitsgemeinschaft f. Textil, 4/1996 |
| |
Weekkrant Suriname 'Verrassende beeldende textielkunst' |
| |
Nederlands Textielmuseum, Holland: 'Flexible 2, Pan-European Art' (Catalogue|Artist's Pages) |
| |
Anna van der Burgt: 'Gietrubber en specerij zingen lof van textiel', Brabrant Cultureell, Holland |
| |
Mogens Damgaard: 'Lidenskabelig Dokumentation', Fyens Stiftstidende, Denmark |
| 1995 |
Gordon Parker: 'Displacements', Photocopy Magazine, Derby |
| |
Montage Gallery, Derby:
'Displacements: Aspects of Change in the Late Twentieth Century’ (Catalogue) |
| 1993 |
Jan Steving: 'Marianne Holm Hansen: New York', Foto, Film & Video, Denmark |
| |
| |
CURATING |
| 2020 |
Gesture/ Pause/ Proximity, Wellcome Collection, London and Online
Five public research workshops at the Wellcome Collection, London, and two online conversations with artists, architects, writers, performers and psychotherapists to develop and share potentials of the non-verbal from within diverse practices. Co-curated with Orlagh Woods. |
| 2016 |
Towards the Mean: Identity in Britain Today, The Barbican Centre, London
A discussion to expand on questions raised by the installation 'Towards the Mean' (The Barbican, 2016). Co-curated with Orlagh Woods, with presentations by Claudia Aradau (KCL Reader in International Politics), Kannan Navaratnem (Psychoanalyst) and Rebecca Omonira-Oyekanmi (Writer/ Reporter) |
| 2011 |
again: on repetition — an informal symposium on repetition in practice, [ space ], London
A public event to extend the publication 100 things not worth repeating: on repetition — with David Berridge, John Hall, Rupert Hartley, Deborah Harty, Eirini Kartsaki, Alana Jelinek and Jill Townsley + knitting performance by Dagmar Radmacher and screening of works by Hyun Jin Cho and Marianne Holm Hansen.  PDF of Programme |
| 2011 |
100 things not worth repeating, X Marks the Bökship, London
Book Launch Performance Reading — with David Berridge, El Vonne Brown, Jean Campbell, Rupert Hartley, Marit Münzberg, Marianne Holm Hansen (Karen Di Franco and Hyun Jin Cho) |
|
| |
COLLECTIONS |
| |
Bibliothèque Kandinsky, Centre Pompidou, France |
| |
Bikubenfonden Denmark |
| |
Center for Artists’ Publications, Weserburg, Bremen, Germany |
| |
Colección Astas Romas, Argentina |
| |
De Kunstenbibliotheek, Gent, Belgium |
| |
Doncaster Museum and Art Gallery, UK |
| |
Franklin Furnace Artists' Books Collection, New York |
| |
Museet for Fotokunst, Denmark |
| |
Tate, Library and Archive Collections, UK |
| |
— Private Collections Brazil, Europe, USA |
| |
|
TEACHING |
| 2020|.. |
StudelMediaLive, New York: Online Photography Courses |
| 2014|.. |
The Royal Institute of British Architects, London: Artist-led Workshops – Drawing/ Photography/ Place |
| 2011|.. |
Tate Modern/ Tate Britain, London: Artist-led Workshops, Interactive Tours and Talks |
| 2007|19 |
The British Library, London, Learning, Public and Exhibition Programmes: Artist-led Research, Workshop and, Study-days |
| 2014|15 |
Sir John Soane's Museum, London, Public Programme: Lines of Enquiry – Workshop Series |
| 2012|13 |
Camberwell College of Arts, London: Guest Tutor (AiR), BA/ MA Fine Art and Photography |
| 2008|12 |
Goldsmiths, University of London: Visiting Lecturer/ Tutor, MA in Artist Teachers and Contemporary Practices |
| 2010|11 |
Tate Britain, London: Lead Artist, Teachers in Partnership (3-term Course on the Gallery as Site for Learning and Research) |
| 2007|10 |
Tate Britain, London, Learning and Public Programmes: Artists-led Workshops, Study-days and Research |
| 2003|08 |
Tate Modern, London, Education and Interpretation Core Team: Artist-led Workshops, Research and Development |
| 2006|07 |
The Sir John Cass School of Art, London Metropolitan University: Guest Lecturer/ Tutor (AiR), BA Photography/ MA Fine Art |
| 2000|03 |
Holland Park School, 6th Form College, London: Media Designer/ Tutor, Graphic Arts and Video |
| 1998|00 |
Insight Arts Trust, London: Digital Photography Tutor (Workshops for Young Offenders and Adults on Probation) |
| 1998|00 |
School of Black and White Photography, London: Photography Lecturer, Theory and Practice |
| 1997|98 |
Monochrome Photography, London: Photography Worker, Outreach and Community Programmes |
| |
|
WORKSHOPS/ TALKS
Please contact for more information or to discuss ideas and possibilities
|
| |
Arnolfini, Bristol, UK |
| |
Bloomberg Space, London |
| |
Brighton Photo Biennale, UK |
| |
The British Film Institute, London |
| |
Charleston, an Artist’s House and Garden, Lewes |
| |
Goldsmiths, University of London |
| |
Hayward Gallery, London |
| |
The Historical Association, UK |
| |
The Hunterian Museum, Royal College of Surgeons, London |
| |
King's College London |
| |
La Mama, New York |
| |
MK Gallery, Milton Keynes, UK |
| |
National Maritime Museum, London |
| |
National Portrait Gallery, London |
| |
Royal Geographical Society, London |
| |
Serpentine Gallery, London |
| |
Studio Voltaire, London |
| |
Tate Britain, London |
| |
Tate Modern, London |
| |
Wellcome Collection, London |
| |
Whitechapel Gallery, London |
| |
X Marks the Bökship, London |
| |
 back to top |
Work