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SELECTED EXHIBITIONS AND LIVE EVENTS |
| 2018 |
Jerwood Drawing Prize, East Gallery, Norwich (Catalogue) – UK Touring: The Edge, Bath; Sidney Cooper Gallery, Canterbury; Vane Gallery, Newcastle; Drawing Projects, Trowbridge
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| 2017 |
Unauthorized, SFMOMA Solo Show, San Francisco Museum of Modern Art, USA |
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Künstlerbücher für Alles/ Artists' Books for Everything, Weserburg | Museum für Moderne Kunst, Bremen, Germany |
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Lost/ Found Biennial, Corner Projects, Chicago |
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Jerwood Drawing Prize, Jerwood Space, London (Catalogue) – Touring: East Gallery, Norwich, UK |
| 2016 |
Towards the Mean, Foyer Installation, The Barbican, London |
| 2015 |
The Future is Here Again: Visual Language, AC Institute, New York |
| 2014 |
This Page Intentionally Left Blank, Akbank Art Center, Istanbul |
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Topography Disarranged: Landscape, Dislocation and Place, The Queen of Hungary, Aylsham, Norfolk |
| 2013 |
Liminal, Camberwell Space, London |
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The Library of Lost Books, The Library of Birmingham |
| 2012 |
Media [Circus], La Mama, New York |
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Video in Progress — Fields of the Performative. Koroška Gallery, Slovenj Gradec, Slovenia (Touring) |
| 2011 |
again: on repetition — an informal symposium on repetition in practice, [ space ], London |
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100 things not worth repeating, X Marks the Bökship, London (Book Launch Performance Reading) |
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Donumenta 2011, Regensburg, DE |
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Wirksworth Festival, Derbyshire, UK |
| 2010 |
Instructions for Initial Conditions, Drift Station and Parallax Space, Lincoln, Nebraska |
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The Department of Micro Poetics, AC Institute, New York |
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WRITING/EXHIBITION/PUBLICATION, The Pigeon Wing, London |
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Video in Progress — Fields of the Performative, Vortex, Skopje, Macedonia (Touring) |
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One Day Wonder, Valentines Mansion, London |
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Screening 1, The Public, West Bromwich, UK |
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Field Recordings — Art Writing Field Station, Five Years, London (For the Record – Live) |
| 2009 |
Europa Neurotisch #2, Petersburg Project Space, Amsterdam |
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Writing Exhibitions, Stanley Picker Gallery — 7.9 Cubic Metres, Kingston University London |
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See the Voice: Visible Verse, Pacific Cinèmathëque, Vancouver (Screening) |
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JTP09 — Interrupted Correspondence: Five Years Fragments, James Taylor Gallery, London (For the Record – Live) |
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Video in Progress - Fields of the Performative, Kino Šiška, Ljubljana, Slovenia (Touring) |
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Common Ground, Norwich Arts Centre (Screening) |
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Darklight X: New World Order, The Joinery, Dublin |
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Recycled Frequencies, Wolstenholme Projects, Liverpool |
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The 5th Berlin International Directors Lounge, Scala e.V., Berlin |
| 2008 |
Videoart Session, Galerie Art Claims Impulse, Berlin |
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Video Lounge, Alternative Film|Video - Memory, Academic Film Center, Belgrade |
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The David Gluck Memorial Bursary for Drawing, Mall Galleries, London |
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Passage, Competition for Architectural Drawing, Hasdorffs Hus, Copenhagen |
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Nordic Drawings, Skellefteå Konsthall, Sweden - Touring: Rackstadmuséet, Sweden |
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On the Move, Everson Museum of Art, Syracuse, New York (Screening) |
| 2007 |
Web Biennial: Festival of Contemporary Networked Art, Istanbul Contemporary Art Museum, Turkey |
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Alternative Film|Video — Associations, Academic Film Center, Belgrade |
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Chisenhale Biennale, London |
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RETURNS, London Metropolitan University, London |
| 2006 |
Mark, Dartington College of Arts, Totnes |
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Alternative Guides|Memory Maps — Residency Intervention, Cannon Hall Museum, Barnsley |
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Most Desirable Object Survey — Residency Exhibition, Doncaster Museum and Art Gallery |
| 2005 |
I-Fjords: Netart from Northern Europe, Javamuseum, Cologne (Touring) |
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I-Fjords: Netart from Northern Europe, @ Electronic Art Meeting, Ecotera, Pescara, Italy (Touring) |
| 2004 |
Space Open, Sara Lane Studios, London |
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404 — International Festival of Electronic Art, Castagnino Art Museum, Rosario, Argentina |
| 2003 |
Space Open, Sara Lane Studios, London |
| 2002 |
Tidal Pulse — an exhibition on the theme of slowness, Museet for Fotokunst, Odense, Denmark |
| 2000 |
Selected from Museet for Fotokunst's Permanent Collection, Denmark |
| 1998 |
Revealing and Concealing — Enclosure|Entrapment, Cable Street Gallery, London |
| 1997 |
Revealing and Concealing — Defining & Undermining Identity and its Space, Milton Keynes Gallery |
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Flexible 2: Pan-European Art, The Whitworth Art Gallery, Manchester (Touring) |
| 1996 |
Marianne Holm Hansen, Museet for Fotokunst, Odense, Denmark (SOLO) |
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Flexible 2: Pan-European Art, Gallery Awangarda, Wroclaw, Poland (Touring) |
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Flexible 2: Pan-European Art, Nederlands Textiel Museum, Tilburg, Holland (Touring) |
| 1995 |
Reframing the Past… The University Of Derby (SOLO) |
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Objects of Reframing the Past… Optimum Gallery, Derby, (SOLO) |
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Women on the Streets, Camerawork, London |
| 1994 |
Works on Paper, The Midge Karr Arts Institute, New York |
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Forårsudstillingen [The Spring Exhibition], Kunsthal Charlottenborg, Copenhagen, Denmark |
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National Showcase Exhibition, Alternative Museum, New York |
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Beyond Body: Animate - Inanimate, 494 Gallery, New York |
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F.U.C.K|M.U.C.K [Female|Male Understanding Carnal Knowledge], Michigan Gallery, Detroit, USA |
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The Prints and The Paper, San Diego Arts Institute, San Diego |
| 1993 |
On Shaky Ground, 494 Gallery, New York |
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Forårsudstillingen [The Spring Exhibition], Kunsthal Charlottenborg, Copenhagen, Denmark |
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CURATING |
| 2016 |
Towards the Mean: Identity in Britain Today, The Barbican Centre, London
A discussion to expand on questions raised by the installation 'Towards the Mean' (The Barbican, 2016). Co-curated with Orlagh Woods, with presentations by Claudia Aradau (KCL Reader in International Politics), Kannan Navaratnem (Psychoanalyst) and Rebecca Omonira-Oyekanmi (Writer/ Reporter)
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| 2011 |
again: on repetition — an informal symposium on repetition in practice, [ space ], London
An event to extend the publication 100 things not worth repeating: on repetition — with David Berridge, John Hall, Rupert Hartley, Deborah Harty, Eirini Kartsaki, Alana Jelinek and Jill Townsley + knitting performance by Dagmar Radmacher and screening of works by Hyun Jin Cho and Marianne Holm Hansen.  PDF of Programme
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100 things not worth repeating, X Marks the Bökship, London
Book Launch Performance Reading — with David Berridge, El Vonne Brown, Jean Campbell, Rupert Hartley, Marit Münzberg, Marianne Holm Hansen (Karen Di Franco and Hyun Jin Cho) |
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RESIDENCIES |
| 2018 |
Saari Residence, Finland |
| 2012|3 |
Camberwell College of Arts, London |
| 2011 |
re:place, Film and Video Residency at Level Centre, Rowsley, UK |
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Digital Rules & Regs, curated by videoclub, Brighton |
| 2010 |
Away Day: The Writer's House, POST Projects, London |
| 2008 |
Academic Film Center, Belgrade |
| 2006|7 |
Sir John Cass Faculty of Art, London Metropolitan University |
| 2006 |
Doncaster Museum and Art Gallery + Cannon Hall Museum, Barnsley (Funded by Arts Council England) |
| 1997 |
The Mercedes Benz Residency, Stantonbury Expressive Arts Faculty, Milton Keynes |
| 1996 |
Bikubenfonden, Paris, France |
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GRANTS AND AWARDS |
| 2017 |
Jerwood Drawing Prize (Shortlist), UK |
| 2013 |
New Creative Markets Programme, [ space ], London |
| 2011 |
Arts Council England Grants for the Arts |
| 2008 |
Knud Højgaards Fond, Denmark |
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Passage: International Competition for Architectural Drawings (Shortlist), Henning Larsen Foundation, Denmark |
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The David Gluck Memorial Bursary for Drawing (Shortlist), UK |
| 2007 |
List of Significant Achievements Award, Academic Film Center, Belgrade |
| 2006 |
Lead Artist, Forum 2006|2007, Artquest, University of the Arts, London |
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The Prints and The Paper Exhibition Award, San Diego Arts Institute, USA |
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BIBLIOGRAPHY |
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Publications |
| 2011 |
100 things not worth repeating: on repetition. Book. LemonMelon, 2011. Publication of results from survey project
contextualised by invited essays and artworks. Funded by Arts Council England (ISBN 978-1-908260-01-7)
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| 2009 |
An Alternative Guide to Edmonton Green. Map Publication, Self-Published, commissioned by LB of Enfield, London |
| 2006 |
Alternative Guides|Memory Maps. Residency Publication, Cannon Hall Museum, Barnsley.
Self-Published, funded by Arts Council England
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Most Desirable Object Survey. Residency Publication, Doncaster Museum and Art Gallery, Doncaster.
Self-Published, funded by Arts Council England
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Work in Publications |
| 2015 |
For the Record…[what?] in Cin Ayse, Istanbul (Issue 13, Spring 2015) |
| 2014 |
Typing (not writing) in Barrie Tullett: 'Typewriter Art: A Modern Anthology', Laurence King Publishing, London |
| 2010 |
For the Record — Script for a Written Conversation in 'Instructions for Initial Conditions', Exhibition Publication,
Essay by Marissa Vigneault. Drift Station and Parallax Space, Lincoln, Nebraska
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For the Record in 'WRITING EXHIBITIONS: An Assembling', David Berridge (ed), VerySmallKitchen, London |
| 2008 |
Recording the Ride in 'SCIENCE', Ralph Dorey, Lindsey Officer (eds), The Arts Pneumonia Journal, London |
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Circular Walks in 'International Drawing Annual 2007', Jason Franz (ed.), Manifest Press, Cincinnati, Ohio |
| 1994 |
Marianne Holm Hansen. Artist's pages in 'Hidden Children', Shari Diamond, Hana Iverson (eds), Journal, New York |
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Interviews/ Reviews/ Catalogues |
| 2018 |
Diego Espíritu: ‘Máquinas post-concretas: Un ensayo sobre type-writer art’, Centro de Cultura Digita, Mexico |
| 2016 |
Russell Martin: 'Marianne Holm Hansen: The Work of Art', Artquest, London (Interview) |
| 2015 |
Nico Vassilakis (ed):’Five Pieces by Marianne Holm Hansen’, Coldfront Magazine, Vispo |
| 2014 |
Franz Thalmair: 'Possible Content for 18 Pages|This Page Intentionally Left Blank', Revolver Publishing, Berlin |
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Franz Thalmair/ Akbank Sanat, Istanbul: 'This Page Intentionally Left Blank' (Catalogue) |
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Neil Elcome: 'Close Up: Small Wide Views — Marianne Holm Hansen', Shutter Hub, UK |
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Judith Stewart: 'Some Thoughts On Landscape', Queen of Hungary Project Space, Aylsham |
| 2013 |
Jessica Glaser, Susan Kruse (eds): 'Bringing Back the Book', The Library of Lost Books, Birmingham |
| 2012 |
VerySmallKitchen, London: 'Type Tying Typings Typist Tybe: Marianne Holm Hansen talks Artist and Typewriter' |
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~ 'Sob Basic Wirtten with a Wooden Laptop: Typewriter as Art Practice' |
| 2010 |
David Berridge: 'Report: Art Writing Field Station: The Lexicon Returns', VerySmallKitchen, London |
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Caitlin Griffiths: 'Screening 1', The Public, West Bromwich, UK (Catalogue) |
| 2009 |
Metka Zupanić, Vesna Bukovec: 'Video in Progress – Fields of the Performative', KOLEKTIVA, Slovenia |
| 2008 |
The Henning Larsen Foundation, DK: 'Passage: International Competition for Architectural Drawings' (Catalogue) |
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Svend Smedberg: 'Tecknandets undflyende essens', Arvika Nyheter, Sweden |
| 2007 |
DKSG Press, Belgrade: 'Associations — Alternative Film|Video 2007' (Catalogue) |
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London Metropolitan University: 'RETURNS' (Catalogue) |
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Juliette Brown: 'Chisenhale Biennale', a-n Magazine, UK, 11/2007 |
| 2006 |
David Gilbert (ed), et al: 'MLA Residencies', Creative Partnerships & Arts Council England |
| 2000 |
Finn Thrane: 'Tidal Pulse — an exhibition on the theme of slowness', KATALOG, Denmark, 12/2000 |
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Finn Thrane: 'Odense Foto Triennale, Tema: Langsomhed [Slowness], Denmark (Catalogue) |
| 1997 |
William Packer: 'Revealing and Concealing', MK Gallery, Milton Keynes (Catalogue) |
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Francesca Alden: 'Revealing and Concealing', MK Gallery, Milton Keynes (Catalogue) |
| 1996 |
Beatrijs Sterk: 'Flexible 2, Pan-European Art', Textielforum e.V. Arbeitsgemeinschaft f. Textil, 4/1996 |
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Weekkrant Suriname 'Verrassende beeldende textielkunst' |
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Nederlands Textielmuseum, Holland: 'Flexible 2, Pan-European Art' (Catalogue|Artist's Pages) |
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Anna van der Burgt: 'Gietrubber en specerij zingen lof van textiel', Brabrant Cultureell, Holland |
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Mogens Damgaard: 'Lidenskabelig Dokumentation', Fyens Stiftstidende, Denmark |
| 1995 |
Gordon Parker: 'Displacements', Photocopy Magazine, Derby |
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Montage Gallery, Derby:
'Displacements: Aspects of Change in the Late Twentieth Century’ (Catalogue) |
| 1993 |
Jan Steving: 'Marianne Holm Hansen: New York', Foto, Film & Video, Denmark |
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COLLECTIONS |
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Bibliothèque Kandinsky, Centre Pompidou, France |
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Bikubenfonden Denmark |
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Center for Artists’ Publications, Weserburg, Bremen, Germany |
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Colección Astas Romas, Argentina |
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Doncaster Museum and Art Gallery, UK |
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Franklin Furnace Artists' Books Collection, New York |
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Museet for Fotokunst, Denmark |
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Tate, Library and Archive Collections, UK |
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— Private Collections Brazil, Europe, USA |
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EDUCATION |
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Goldsmiths, University of London, MA in Interactive Media: Critical Theory and Practice (2001-2003) |
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International Center of Photography, New York, Certificate in Photography: General Studies (1991-1992) |
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Det Fynske Kunstakademi [Funen Art Academy], Denmark: Drawing, Printmaking, Sculpture (1987-1989) |
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LECTURING/ WORKSHOPS/TALKS |
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Contact for details or to discuss possibilities for collaboration |
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Arnolfini, Bristol |
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The Barbican, London |
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Bloomberg Space, London |
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Brighton Photo Biennale |
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The British Film Institute, London |
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The British Library, London |
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Camberwell College of Arts, London |
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Charleston, an Artist’s House and Garden, Lewes |
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Goldsmiths, University of London |
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Hayward Gallery, UK |
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The Historical Association, UK |
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The Hunterian Museum, Royal College of Surgeons, London |
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King's College London |
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La Mama, New York |
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MK Gallery, Milton Keynes |
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National Maritime Museum, London |
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National Portrait Gallery, London |
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Royal Geographical Society, London |
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Royal Institute of British Architects (RIBA), London |
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Serpentine Gallery, London |
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Sir John Cass Faculty of Art, Media and Design, London Metropolitan University |
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Sir John Soane's Museum, London |
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Studio Voltaire, London |
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Tate Britain, London |
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Tate Modern, London |
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Whitechapel Gallery, London |
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X Marks the Bökship, London |
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